(i) Knowledge constitutes the framework of the rendition of image produced through signification via imaging knowledge in the consciousness. Sartrean intentionality lies in recognizing the consciousness of the image which manifests from gnosis- hence, consciousness is key characteristic and an extension of knowledge of an imaged object x. Knowledge of imaged object xextends and manifests consciousness which further assists in constituting a mental image of x. Thus, extension of knowledge as consciousness is an essential element in structuring an image in the imaging-consciousness.
(ii) Through desire in reflection, an affective consciousness is invoked wherein the passion is posited in the affective structure of the imaged object. However, the absence within the very presence of the imaged object is realized only on the terms of its affectivity in cognition i.e., an imaged object x will produce its affectivity only because it extends in space and time with desire. Thus, affectivity manifests in the consciousness of an imaged object based on the value of its knowledge in affective form as transcendence.
(iii) Figurative-Motor Awareness in kinaesthetic or mnemonic movements begin with Husserl’s protention-retention synthesis of the impression, and end in the birth of an imaging consciousness. The visual structure manifested through kinaesthetic movement constitutes the analogon of the imaged object in reality. Although, this analogon doesn’t posit the exact knowledge of the imaged object. For example, mathematical calculations through kinaesthetic movements wherein the knowledge, as well as the image consciousness, is derived in time through the movements and cognition itself i.e., it doesn’t render an instataneous image in the imaging consciousness.
(iv) The comprehension, in Sartrean Imaginary, is realized through the assembling of schema in the imaging consciousness which further results in the manifestation of the imaged object. However, comprehension consciousness is only essential when the image is symbolic as it the verys symbolic that is comprehended through its traits. Thus, the barrier between the comprehension consciousness and imaging consciouness is the symbol.
(v) Perception induces the principle of infinity on the very condition of the disintegration of perception, wherein an object perceived within a series of objects is isolated in imaging consiousness as an independent object. Through these very acts of disintegration in perception, and manifestation in the imaginary, these elements of consciousness actuate psychic activity.